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  Volume Three (Birgit Krohn Albums)

  Birgit Krohn (1881-1972)

  The third of Birgit Krohn's three albums containing printed and manuscript music, much of which was likely collected during her time at the Pigeinstitutt.

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  [Front Matter]

  Birgit Krohn (1881-1972)

  Front cover and table of contents written out by Birgit Krohn on the inside of the front cover of the album. Pieces are listed in the album alphabetically and numbered according to the order in which they appear.

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  Ride, ride Ranke

  Caroline Schytte Jensen (1848-1935)

  For voice and piano. Illustrated front cover signed by Birgit Krohn in the upper right hand corner. Plate number 528.

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  [Untitled]

  For piano. A short [manuscript] fragment of sheet music.

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  Aligevel

  Anna Krohn (1843-1881)

  Short piece for piano, presumably written by Birgit Krohn's mother (whose name is written to the right of the title).

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  Hjemmet

  J.S. Larbalestier

  For piano. Badly torn. Cover signed in the upper right hand corner by Ingeborg Rusten (Birgit's stepmother) and Birgit Krohn.

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  Brav Karl

  Holger Drachmann (1846-1908)

  For voice and piano. Based on the play by Holger Drachmann. Six numbers including "Rytter-Visen", "Maj-Visen", "Zigeuner-Visen", "Frier-Visen", "Langfinger-Visen", and "Rhinskvin." Plate number 12202.

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  Gamla Heidelberg

  For voice and piano. Music for a show. Plate number 2103. Text from Franz Hedberg's 1903 translation of Wilhelm Meyer-Förster's play Old Heidelberg.

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  Lille Nicolas

  Charles Kjerulf (1858-1919)

  Sold by C. Rabe in Bergen. Cover illustrated in color and signed by Birgit Krohn in the upper right hand corner. Plate number 13301.

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  Trost in Leiden

  Carl Stolberg

  For voice and piano. Text by the composer. Transcribed by Birgit Krohn on 5 September 1905. Presumably copied from the Preger & Maier edition of 1890, which duplicates the misspelling of Stolberg's name as "Stollberg".

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  Gadens Börn (1. Visen om den onde Maler)

  Charles Kjerulf (1858-1919)

  For voice and piano. The first of four "shows" by Edvard Söderberg set to music by Charles Kjerulf. Front cover signed by Birgit Krohn in the upper right hand corner. Sold by C. Rabe in Bergen. Plate number 13276.

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  God Aften, Maane!

  Paul Marinier (1866-1953)

  For voice and piano. Text by Emile Bessiere, with the Danish translation by Charles Kjerulf. Plate number 13215.

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  Wie soll man küssen?

  Rudolf Förster (1861-1895)

  For voice and piano. Plate number 10649.

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  Cornevilles Klokker

  Robert Planquette (1848-1903)

  For piano and voice. Signed and dated 1897 by Birgit Krohn. Eleven short arias from an operretta by Planquette (pages 9 and 10 missing). Plate number 7149.

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  Paraphrase over Sang til Bergen (“Jeg tog min nystemte Cithar I Haende”)

  Ernst Haberbier (1813-1869)

  For voice and piano. Front cover signed and dated by Birgit Krohn, with another name inscribed above hers (illegible). Plate number 4.

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  Lille røde Rønnebaer

  Peter Erasmus Lange-Müller (1850-1926)

  For voice and piano. Plate number 355. Published between 1895 and 1897.

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  Vuggevise for Lillegelt

  Per Winge (1858-1935)

  For voice and piano. Transcribed by Birgit Krohn, signed and dated in the upper left hand corner.

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  Lieder ohne Worte in E Major (No. 3 op 30)

  Felix Mendelssohn (1809-1847)

  For piano. Transcribed by Birgit Krohn.

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  I Olympeu

  Carl Millöcker (1842-1899)

  For piano. Transcribed by Birgit Krohn from Millöcker's 1884 opera Gasparone and signed and dated in the upper left hand corner.

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  Elsk

  Emil Jessen (1853-1934)

  For voice and piano. Cover signed by Birgit Krohn in the upper right hand corner. A setting of Arne Garborg's Haugtussa poem by Jessen, a member of the Bergen Harmonien. Plate number 2335. Dedicated to Kamilla Grieg, a piano teacher in Bergen.

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  Mädchen mit dem rothen Mündchen

  Jan Gall (1856-1912)

  For voice and piano. Text by Heinrich Heine. Signed by Birgit Krohn and inscribed with "Bergen". Sold by music publisher Arnold Simon in Hannover. Plate number 3492.

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  Den store, hvide Flok

  Eyvind Alnæs (1872-1932)

  For voice and piano. By Alnæes after Grieg's Op. 30, No. 10. Plate number 2389.

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  Leichte Cavalleril (von Franz v. Suppé)

  Franz von Suppé (1819-1895)

  For piano. Signed and dated by Birgit Krohn in the upper right hand corner.

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  [Kvinderind]

  Charles Kjerulf (1858-1919)

  For voice and piano. On the right hand side of the title, Birgit Krohn writes that this was "sung by Caroline 'Bokken' Lasson," a famous Norwegian cabaret singer of the late 19th and early 20th centuries.

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  Lyckliga Jim

  Fr. B. Vowers

  For voice and piano. Plate number 541.

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  Björkens Visa (“Björken berättar hvad som kan hända i månskenet”)

  Gustav Raab

  For voice and piano. Cover illustrated in color and signed by Birgit Krohn in the upper rig

  ht hand corner. Plate number .

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  En Søndag Paa Amager

  Johanne Louise Heiberg (1812-1890)

  Eight short pieces for voice and piano. Cover signed by Birgit Krohn in the upper right hand corner. Plate number 4065.

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  Es ist Fruhlingzeit

  Friedrich Eberle (1853-1930)

  For voice and piano. Eberle's Op. 32 (first published Hamburg, c. 1897), with text by the poet Hans Eschelbach. Signed and dated on the second page by H. Klohs with the German inscription: "With friendliest greetings."

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  Reveille and Tappenstreg

  Two short pieces for piano. Plate number 834.

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  Bryllupsmarsch

  Felix Mendelssohn (1809-1847)

  Wedding march from the composer's Op. 21, arranged for piano. Plate number 3780.

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  Marche des toréros

  Charles Goddard (1837-1898)

  March for piano. Front cover illustrated in cover, signed and dated Christmas Eve, 1900, by Birgit Krohn in the upper right hand corner. Plate number 10170.

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  Bellevue Marsch

  Adolf Hansen (1852-1911)

  March for piano. Cover signed by Birgit Krohn. Plate number 7.

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  Das Beinenhaus Marsch, Op. 124

  Hermann Josef Schneider (1862-1921)

  For voice and piano. Cover illustrated in color and signed by Birgit Krohn in the upper right hand corner. Plate number 796.