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Volume Three (Birgit Krohn Albums)
Birgit Krohn (1881-1972)
The third of Birgit Krohn's three albums containing printed and manuscript music, much of which was likely collected during her time at the Pigeinstitutt.
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![[Front Matter] by Birgit Krohn (1881-1972)](https://scholarexchange.furman.edu/krohn-album3/1001/thumbnail.jpg "[Front Matter] by Birgit Krohn (1881-1972)")
[Front Matter]
Birgit Krohn (1881-1972)
Front cover and table of contents written out by Birgit Krohn on the inside of the front cover of the album. Pieces are listed in the album alphabetically and numbered according to the order in which they appear.
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Ride, ride Ranke
Caroline Schytte Jensen (1848-1935)
For voice and piano. Illustrated front cover signed by Birgit Krohn in the upper right hand corner. Plate number 528.
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Aligevel
Anna Krohn (1843-1881)
Short piece for piano, presumably written by Birgit Krohn's mother (whose name is written to the right of the title).
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Hjemmet
J.S. Larbalestier
For piano. Badly torn. Cover signed in the upper right hand corner by Ingeborg Rusten (Birgit's stepmother) and Birgit Krohn.
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Brav Karl
Holger Drachmann (1846-1908)
For voice and piano. Based on the play by Holger Drachmann. Six numbers including "Rytter-Visen", "Maj-Visen", "Zigeuner-Visen", "Frier-Visen", "Langfinger-Visen", and "Rhinskvin." Plate number 12202.
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Gamla Heidelberg
For voice and piano. Music for a show. Plate number 2103. Text from Franz Hedberg's 1903 translation of Wilhelm Meyer-Förster's play Old Heidelberg.
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Lille Nicolas
Charles Kjerulf (1858-1919)
Sold by C. Rabe in Bergen. Cover illustrated in color and signed by Birgit Krohn in the upper right hand corner. Plate number 13301.
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Trost in Leiden
Carl Stolberg
For voice and piano. Text by the composer. Transcribed by Birgit Krohn on 5 September 1905. Presumably copied from the Preger & Maier edition of 1890, which duplicates the misspelling of Stolberg's name as "Stollberg".
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Gadens Börn (1. Visen om den onde Maler)
Charles Kjerulf (1858-1919)
For voice and piano. The first of four "shows" by Edvard Söderberg set to music by Charles Kjerulf. Front cover signed by Birgit Krohn in the upper right hand corner. Sold by C. Rabe in Bergen. Plate number 13276.
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God Aften, Maane!
Paul Marinier (1866-1953)
For voice and piano. Text by Emile Bessiere, with the Danish translation by Charles Kjerulf. Plate number 13215.
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Cornevilles Klokker
Robert Planquette (1848-1903)
For piano and voice. Signed and dated 1897 by Birgit Krohn. Eleven short arias from an operretta by Planquette (pages 9 and 10 missing). Plate number 7149.
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Paraphrase over Sang til Bergen (“Jeg tog min nystemte Cithar I Haende”)
Ernst Haberbier (1813-1869)
For voice and piano. Front cover signed and dated by Birgit Krohn, with another name inscribed above hers (illegible). Plate number 4.
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Lille røde Rønnebaer
Peter Erasmus Lange-Müller (1850-1926)
For voice and piano. Plate number 355. Published between 1895 and 1897.
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Vuggevise for Lillegelt
Per Winge (1858-1935)
For voice and piano. Transcribed by Birgit Krohn, signed and dated in the upper left hand corner.
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Lieder ohne Worte in E Major (No. 3 op 30)
Felix Mendelssohn (1809-1847)
For piano. Transcribed by Birgit Krohn.
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I Olympeu
Carl Millöcker (1842-1899)
For piano. Transcribed by Birgit Krohn from Millöcker's 1884 opera Gasparone and signed and dated in the upper left hand corner.
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Elsk
Emil Jessen (1853-1934)
For voice and piano. Cover signed by Birgit Krohn in the upper right hand corner. A setting of Arne Garborg's Haugtussa poem by Jessen, a member of the Bergen Harmonien. Plate number 2335. Dedicated to Kamilla Grieg, a piano teacher in Bergen.
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Mädchen mit dem rothen Mündchen
Jan Gall (1856-1912)
For voice and piano. Text by Heinrich Heine. Signed by Birgit Krohn and inscribed with "Bergen". Sold by music publisher Arnold Simon in Hannover. Plate number 3492.
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Den store, hvide Flok
Eyvind Alnæs (1872-1932)
For voice and piano. By Alnæes after Grieg's Op. 30, No. 10. Plate number 2389.
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Leichte Cavalleril (von Franz v. Suppé)
Franz von Suppé (1819-1895)
For piano. Signed and dated by Birgit Krohn in the upper right hand corner.
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![[Kvinderind] by Charles Kjerulf (1858-1919)](https://scholarexchange.furman.edu/krohn-album3/1023/thumbnail.jpg "[Kvinderind] by Charles Kjerulf (1858-1919)")
[Kvinderind]
Charles Kjerulf (1858-1919)
For voice and piano. On the right hand side of the title, Birgit Krohn writes that this was "sung by Caroline 'Bokken' Lasson," a famous Norwegian cabaret singer of the late 19th and early 20th centuries.
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Björkens Visa (“Björken berättar hvad som kan hända i månskenet”)
Gustav Raab
For voice and piano. Cover illustrated in color and signed by Birgit Krohn in the upper rig
ht hand corner. Plate number .
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En Søndag Paa Amager
Johanne Louise Heiberg (1812-1890)
Eight short pieces for voice and piano. Cover signed by Birgit Krohn in the upper right hand corner. Plate number 4065.
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Es ist Fruhlingzeit
Friedrich Eberle (1853-1930)
For voice and piano. Eberle's Op. 32 (first published Hamburg, c. 1897), with text by the poet Hans Eschelbach. Signed and dated on the second page by H. Klohs with the German inscription: "With friendliest greetings."
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Bryllupsmarsch
Felix Mendelssohn (1809-1847)
Wedding march from the composer's Op. 21, arranged for piano. Plate number 3780.
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Marche des toréros
Charles Goddard (1837-1898)
March for piano. Front cover illustrated in cover, signed and dated Christmas Eve, 1900, by Birgit Krohn in the upper right hand corner. Plate number 10170.
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Bellevue Marsch
Adolf Hansen (1852-1911)
March for piano. Cover signed by Birgit Krohn. Plate number 7.
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Das Beinenhaus Marsch, Op. 124
Hermann Josef Schneider (1862-1921)
For voice and piano. Cover illustrated in color and signed by Birgit Krohn in the upper right hand corner. Plate number 796.
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![[Untitled]](https://scholarexchange.furman.edu/krohn-album3/1003/thumbnail.jpg "[Untitled]")
